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Setting Up a Small Recording Studio UPDATE
An update of one of our most popular features ever – Jeff Towne’s primer on setting up a small recording studio. It covers computer and software selection, the requisite hardware, along with equipment recommendations in various price ranges and pretty much everything you need on this topic, all in one place.
The War Will Be Streamed
NPR foreign correspondent, Kelly McEvers on covering Middle East uprisings in an on-line world.
The D-Word
At Transom, we are steady advocates of Slow Radio, un-rushed humanity-filled storytelling. In that spirit we present "The D-Word" by Ed Prosser. Yes, it's about Death. And about people who make their livings from death. The pace is slow. There is plenty of time, after all. When you feel like changing your rhythm, come listen.
This American Life Tic Tock
January 25th, 2012Dan Grech with a behind-the-scenes account of a quick turnaround piece he recently produced for This American Life.
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Events
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Transom Story Workshop – Class of Fall 2011
December 7th, 2011For seven weeks this fall, students from all over the US (plus Canada and Australia) came to Woods Hole to immerse themselves in radio. Come read about their experiences and listen to some of their work.
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Tools
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Setting Up a Small Recording Studio UPDATE
February 21st, 2012An update of one of our most popular features ever – Jeff Towne’s primer on setting up a small recording studio. It covers computer and software selection, the requisite hardware, along with equipment recommendations in various price ranges and pretty much everything you need on this topic, all in one place.
Read On »
Guests
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Radiolab: An Appreciation by Ira Glass
November 8th, 2011We’ve compiled Ira’s revealing analysis of Radiolab along with the following discussion into our current issue of The Transom Review. As ever, there’s a downloadable PDF for your offline pleasure.
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Shows
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Random Tape
January 4th, 2012Public radio is good at giving us understandable, digestible bits of information and occasionally great stories. But it doesn’t provide many of the elliptical, mysterious, and poetic fragments of life as we actually experience it. Producer David Weinberg is drawn to those uncoded audio moments. He’s drawn to “random tape.”
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