Nubar Alexanian’s Friends

Nubar Alexanian’s Friends

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    Susan Meiselas

    Susan Meiselas is an award winning documentary
    photographer best known for her work in Central
    America. In 1978, Meiselas received the Robert Capa
    Gold Medal for “outstanding courage and reporting”
    for her coverage of the insurrection in Nicaragua that
    same year. In 1992 she was named a MacArthur
    Fellow.

    Her photographs have been published worldwide in
    the pages of Time, The New York Times, Paris
    Match
    , and Life. She is the author of two
    monographs: “Carnival Strippers” (Farrar, Straus &
    Giroux, 1976) and “Nicaragua” (Pantheon, 1981).
    She is the editor of “Learn to See” (Polaroid
    Foundation, 1975), “El Salvador: Work of 30
    Photographers” (Writers & Readers,1983), and
    “Chile From Within” (W.W. Norton, 1990).
    Meiselas is a member of Magnum photos and lives
    in New York City.

    Links

     

  • Kurdistan in the Shadow of History Exhibit
  • Portfolio at Magnumphotos.com
    Abigail Heyman

    Abigail Heyman became the feminist eye/voice of photography with “Growing
    Up Female; A Personal Photo-Journal”, the landmark book which documented
    the female experience from a feminist perspective, and challenged
    assumptions about being a woman. While much of the book is
    autobiographical in theme, her photographs “transcend the strictly
    personal and assume public posture.” Photographically, as Andy Grundberg
    said, it “tested the line between reportage and personal expression.”

    Her book, “Butcher, Baker, Cabinetmaker; Photographs of Women at Work,” is
    about women who hold jobs that children commonly assume are only done by
    men, and is aimed at changing those expectations for a new generation of
    school children. “Dreams & Schemes; Love and Marriage in Modern Times”
    penetrates wedding rituals to examine the underlying emotions and
    widespread implications they often conceal. Photographs of her own
    family were the genesis of “Flesh & Blood: Photographers’ Images of Their
    Own Families,” an intimate and poignant collection of many contemporary
    photographers’ work, which Ms. Heyman co-edited and produced.

    Heyman has participated in solo and group photo exhibitions; her work
    frequently appears in publications in the United States and abroad. She
    is a former member of Magnum Photos, and at one time directed the
    Documentary and Photojournalism Studies Program at the International
    Center of Photography in New York City.


    Jeff Jacobson

    Jeff Jacobson was born in Des Moines, Iowa, in 1946. He graduated from
    the University of Oklahoma in 1968, and from Georgetown University Law Center
    in Washington, D.C., in 1971. While practicing as a civil rights lawyer in
    the American South in the early 70′s, Jacobson became interested in
    photography, shooting in southern jails and rural areas. After completing a
    workshop at Apeiron with Charles Harbutt, in 1974, Jacobson quit his law
    practice to devote full energies to photography.

    In 1976, Jacobson began working in color while photographing the
    American presidential campaign. It was during this personal project that he
    began experimenting with strobe and long exposures, a now familiar technique
    that he pioneered. Jacobson joined Magnum Photos in 1978, and in 1981 he
    left Magnum, along with photographers Charles Harbutt, MaryEllen Mark, Burk
    Uzzle and others to found Archive Pictures. He continued his color
    explorations in the United States throughout the 80′s which culminated in the
    publication of his monograph, “My Fellow Americans,” in 1990. During this
    time, and continuing to the present, Jacobson regularly does assignments for
    magazines, such as The New York Times Magazine, Fortune, Time, Geo, Stern,
    Life, and many others.

    Jacobson’s photographs have been exhibited or are in the collections of
    museums around the world. He has taught workshops regularly at ICP and other venues in the US & Europe and has been awarded grants from the National Endowment For
    The Arts, and The New York Foundation For The Arts.

    In 1990, Jacobson moved to Los Angeles and began a series of complex,
    mostly urban landscapes from all over the world which appear as if they were
    digitally altered, even though all are straight documentary photographs.
    These photographs raise questions about the influence of the computer upon
    our notions of photographic reality, and will be published in the book, You
    Are Here in 1992. In 1999, Jacobson returned to New York where he now lives.
    He has begun a series of photographs made mostly at night, pushing
    Kodachrome film as far as possible.

    Links

     

  • Jeff’s Webpage
    Alex Webb

    Alex Webb was born in San Francisco, California in 1952. He became interested in photography during his high school years. He majored in history and literature at Harvard University and studied photography at the Carpenter Center for the Visual Arts. Webb attended the Apeiron Workshops in 1972; he began working as a professional photojournalist in 1974. His photographs began to appear in such publications as the New York Times Magazine, Life, Geo, and eventually in Stern and National Geographic. Webb joined Magnum Photos as an associate member in 1976, becoming a full memeber in 1979.

    During the mid-1970′s, Webb conducted reportages in the US south, traveling extensively, documenting small town life in black and white. He also began working in the Caribbean and Mexico. In 1979, Webb began a body of color work that he continues to pursue today. Since then he has traveled throughout the Caribbean, Latin America, and Africa. He has published four books: Hot Light/Half-Made Worlds (1986) and Under A Grudging Sun (1989), both published by Thames and Hudson and From the Sunshine State and Amazon: From the Floodplains to the Clouds, both published by the Monacelli Press. He has also created a technology-mediated artist’s book entitled Dislocations with the Film Study Center at Harvard University (1998-99). A new book about the US/Mexico
    border is due out fall 2001, also from Monacelli Press.

    Webb received a New York Foundation of the Arts Grant in 1986, a National Endowment for the Arts Fellowship in 1990, a Hasselblad Foundation Grant in 1998, and won the Leopold Godowsky Color Photography Award in 1988 and the Leica Medal of Excellence in 2000. His photographs have been the subject of articles in Art in America and Modern Photography. He has exhibited widely both in the United States and Europe. Among museums that have exhibited his work are: the Walker Art Center, the Museum of Photographic Arts, the International Center of Photography, the High Museum of Art, the
    Southeast Museum of Photography, and the Whitney Museum of American Art.

    To see some of his recent work along the Mexican Border, visit the addresses below.

    Links

     

  • US/MEXICO BORDER
  • Alex’s Portfolio at Magnumphotos.com

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