An Act Relative To Sex Offenders

Ciara_FEATURED

Intro from Jay Allison: This piece was produced as part of the Transom Story Workshop Fall 2015 session. Listen to more pieces from this Story Workshop class here.

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Listen to “An Act Relative To Sex Offenders”

About An Act Relative To Sex Offenders

What surprised me most about the end result for this piece was how measured it now seems. It certainly didn’t start that way. I knew I was choosing a tough subject when I wanted to do a piece about sex offenders. Originally it was supposed to be about how a ‘dangerous’ offender could be released from prison and not properly monitored, increasing the likelihood that they’d reoffend. And in a way, that’s quite straightforward. Sex offenders are bad people. This is the general consensus.

As I started to research the story I ran up against some walls — mainly key people unwilling to be interviewed on tape. But I also found that things weren’t as black and white as I’d imagined. I had always believed that all sex offenders were horrible people who had committed horrific crimes but now my perceptions were beginning to change. It was during this time that I read about the ‘God Bus’ in Yarmouth and a picture of a town started to emerge. A town concerned about the safety of their children when a Level 3 sex offender was roaming the streets in his brightly colored school bus. How they had rallied together to remove this faction of society, innocent or not, from their streets. I knew I had my story, or so I thought.

But it wasn’t to be and this was the biggest lesson I learned. You’re prepped from the outset that your story may not unfold the way you thought it would. But sometimes, at that very last minute, your story can grab you by the ears and spin you right upside down. The more tape I got or didn’t get, the more I realized my story was not turning out how I expected it to, let alone how I wanted it to. And so I had to adapt yet again. I found myself in the eleventh hour really unsure about where I was going with this piece. And throw into that the subject matter itself. I was really struggling to make sense of something that was almost impossible to defend. What did I even want to say?

Thankfully with the endlessly patient support of Rob and Catie and my wonderful, honest and generous classmates, I was able to pull myself from deep within the reeds and create a strong, well-informed and unbiased piece.

Ciara’s Sonic ID

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Listen to “Ciara’s Sonic ID”

I came across Alan Steinbach when I spotted a funny little note stuck to the window of the old firehouse on the Main Street in Woods Hole. The note asked if anyone had seen his missing dingy, Diaper Rash. It was phrased in such a personal and comical way that it caught my attention. I met with Alan, not knowing what I’d get but delighted with the opportunity to meet him and flex my interviewing skills. From that, I got this little gem of a sonic.

Listen to more pieces from this Story Workshop class here.

Ciara Gillan

About
Ciara Gillan

A media veteran at this stage, having worked in film, animation, radio and visual effects for the past ten years. Ciara also has a Masters in Creative Writing. Based in Dublin, Ireland, Ciara is now working as a freelance radio producer and writer. You can find her on AIR and Twitter. Also check out her work on PRX, on SoundCloud, and her website.

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  • tamie parker song

    12.10.15

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    Thanks so much for making “An Act Relative to Sex Offenders.” I learned a lot; I really appreciate you taking the time to make this piece. I hope it gets wide air time!

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